See Yourself on the Silver Screen

See Yourself on the Silver Screen

My daughter has been looking forward to seeing Beauty and the Beast since the first trailer aired.  Unfortunately, she has to wait just a little longer since she’s going with her Girl Scout troop as a celebration of their cookie sales.  Many friends saw it last weekend however, and I’m told they completely loved it.  There was no mention of any “gay agenda” being forced upon them, nor was there any disgust at any explicitly homosexual scenes.  I know my daughter couldn’t care less about such controversies, and I’m willing to bet that when she does see the movie she won’t even notice the subplot and scene in question.  Despite calls for a boycott, the movie opened last weekend to a March-record $170 million box office and an over $350 million worldwide take.

But this isn’t about the boycott.  There has been plenty written about that already, most recently at Unfundamentalist Christian.  No, this is about the silver screen itself and our desire to see ourselves reflected, or rather projected, as the heroine, the princess, or at times even the villain.

My daughter wants to see the movie because she wants to see Belle dance and sing (along with candelabras, teacups, and clocks).  She likes to watch Mulan to see the girl become the hero.  She loves Lilo and Stitch because of the rambunctious girl who always seems to get into trouble, yet always finds a way to work everything out in the end.

But not everyone can enjoy movies that same way.  As a middle-class white male, I don’t have to think twice about whether or not I’m represented on screen.  And if I can’t relate to a character, it is usually because of the choices he makes or the dialogue he fails to deliver convincingly.  I don’t think twice about whether that character looks just like me or represents my demographic.

Having LeFou’s latent homosexuality slightly more explicit than was depicted in the animated movie means a lot to homosexuals who long to see themselves depicted on the screen.  For this to be the first explicitly gay character in a Disney movie is taken by some to be groundbreaking.

But this post isn’t about homosexuality either.  Because they are not the only minority group struggling to be represented in Hollywood.

I’m a comic book nerd, so I haven’t been able to avoid hearing about the “whitewashing” of characters from The Ancient One in Dr Strange, to The Major in The Ghost in the Shell; or the missed opportunity to cast a minority in The Iron Fist; or split opinions over Idris Elba being cast as Roland, the Gunslinger, in The Dark Tower; or the celebration over the casting choices for The Black Panther.

These things aren’t new.  It was a big deal to have a single mother portrayed in a leading role on Murphy Brown just as it was groundbreaking (much more so than any character in Beauty and the Beast) for there to be a gay lead on Will & Grace.  What is new to me is that now I notice.

I have a lot more to write about “white privilege” that will have to wait for another time.  But in this case, I wanted to call our attention to the fact that white straight Americans take for granted our position in society, as evidenced by the roles we see in movies and on television.  Black-ish has become my favorite TV show because it challenges my perceptions and assumptions.  I wouldn’t call myself “woke”, but I’m getting there.

As Christians, we need to have more empathy.  Period.  I’m not saying minimizing sin (if that’s your conviction) for the sake of tolerance, because that just goes in line with being politically correct.  No, empathy is a heart-condition.  It is the ability to put ourselves in someone else’s shoes and to see the world the way they do.

In the case of Beauty and the Beast, there are closeted gays who might for the first time feel accepted simply by a couple lines in a movie, who might no longer be suicidal, who might for a change have hope.  And that should be celebrated, not boycotted.

Beyond the Barricade

My wife and I finally got out to see Les Miserables last weekend. I left the theater with little to say other than “wow”. Normally I wait for movies to come out on Netflix, but I am glad I was able to see this on the big screen.

I normally don’t do movie reviews. One is the reason above- I seldom make it out for new releases. But another reason is that the movie-going experience is so subjective. What one person finds remarkable another thinks is just mundane. In fact, reading some of the reviews online at IMDB I was surprised just how many people nit picked this movie to death. Instead of adding my voice to the din and tackling every complaint and criticism, I’m going to offer my two cents plus some thoughts about how the Christian blogosphere missed the forest for the trees.

Nits and Picks:

I was introduced to the story of Jean Valjean by my sister, who brought home the Les Mis’ soundtrack after seeing it on stage. I was instantly pulled into the story, drawn by the character arc of the protagonist. I know the songs well. In fact it was hard not to sing out loud throughout the movie (but that didn’t stop me from mouthing the words). I’ve also seen it on stage three times with different interpretations, so I was very interested to see how certain sets would be translated on screen.

Many critics weren’t impressed by the singing. Russell Crowe gets a majority of the scorn. His voice is softer and it did take time getting used to- when you’re used to hearing someone’s voice, you assume what their singing voice should sound like. So I was first uncomfortable with his voice, but it grew on me. The same was true for Marius, played by Eddie Redmayne. I don’t really know him as an actor, so in his case I had trouble reconciling his face with his falsetto. Again, it took some getting used to. But since I’ve seen this more than once on stage, and have worn out the tape listening to the Broadway cast, I am used to hearing different voices for each of the characters. So this didn’t bother me and wouldn’t be worth me complaining about.

Another criticism I’ve seen is about the cinematography. Most songs, and even some of the action, is directed towards the audience. This makes sense as it is an adaptation of a stage play, but some found the extreme closeups unnerving. On the contrary, I loved it. I have horrible eyesight and I’ve never had pit seating, so when I’ve seen Les Mis’ on stage the characters are just a blur, distinct only for their voices and hopefully their wardrobe. But besides helping my poor eyes, the focus on each character’s face as they sang about their plight had the effect of pulling me into the movie. It was as if the characters were singing just to me. Because this made it so personal each struggle, each death, tore at the heart. Had I waited to watch this at home, I don’t think it would have impacted me the way it did.

I could rant about other things, such as Eponine’s story arc getting cut short (which some fans are really, really upset about) but none of those things take away from what I considered an awe-inspiring movie experience.

Awe-inspiring. Lofty words, so I better back them up.

(photo credit: The Guardian UK)

Missing the forest for the trees.

(SPOILERS AHEAD)

Most Christian bloggers have focused on the dichotomy between Jean Valjean and Javert. I don’t want to belittle those posts, as most I’ve found are thoughtfully written and worth the read. (Short list: Timothy Darlymple at Patheos, Owen Strachan at Patheos, JR Forasteros at FaithVillage, Joe Rigney at Desiring God, and most recently Katelin Hansen at Red Letter Christians.) There are other contrasts as well- the haves and have-nots, the selfish and the selfless, destiny and circumstance, and so on. But it is another theme that I haven’t seen talked about much which is the theme that caused me to fall in love with this story to begin with: redemption.

Obviously the main storyline of Jean Valjean is that of redemption, but we see it in other characters as well: Fantine being rescued by Valjean from the streets, Marius proving himself to his friends and then being saved, again by Valjean, from the blockade, Eponine proving her love by sacrificing herself, and even Javert has a chance at redemption but refuses it.

Each character’s response to redemption is important. What do you do when you’re given a second chance? I’m reminded of the ten lepers Jesus heals in Luke 17. Jesus heals all of them, but only one returns to give thanks. Or you could consider the parable of the unmerciful servant from Matthew 18. How do you respond when your debts are forgiven?

Legalism versus grace is a debate worth having, but not at the expense of the Gospel of redemption. The Son of God lived on this earth and was killed so that our debt to God can be wiped off the ledger. What do we do with our second (and third, and fourth…) chance?

Jean Valjean was given freedom, but he was rejected by the world. It made him bitter and spiteful. Eventually he was forgiven, by a priest no less (Monseigneur Myriel was played by Colm Wilkinson who was Valjean in the original Broadway cast), and his heart of stone was transformed into a heart of flesh. What did he do from here? He became a successful businessman and mayor, he saved many both from physical harm and economic hardship, he stood up for what was right and just, and he was moved by love to offer second chances to Cozette and Marius. You cry at the end of the movie just as you would at the wake of anyone else who made such an impact in your life. It is his life that is the inspiration and driving force behind the movie. It is his life that is worth imitating.

This theme of redemption is driven home in the finale. I never noticed this before, despite having heard it sung so many times. The movie closes with a reprisal of ‘Can You Hear The People Sing?’ but actually it isn’t the same song. When watching on stage I couldn’t tell, but on the big screen I was able to see the characters who died earlier in the story standing on the blockade (before I just assumed it was the full cast). Seeing characters who should be dead, fully alive (and joyful!), singing the Finale gives enough of a clue that this story isn’t about legalism or grace. I get chills recalling this scene. Now check out the lyrics:

Do you hear the people sing
Lost in the valley of the night?
It is the music of a people
Who are climbing to the light.
 
… 
 
They will live again in freedom
In the garden of the Lord.
They will walk behind the plough-share,
They will put away the sword.
The chain will be broken
And all men will have their reward.
 
Will you join in our crusade?
 Who will be strong and stand with me?
Somewhere beyond the barricade
Is there a world you long to see?

Beyond the barricade is a world we long to see. It is a new chance at life- eternal life. But to get there we need to climb to the light. If this isn’t the Gospel, I don’t know what is.

If you’ve seen this movie, I encourage you to talk about it with your friends, your coworkers, your neighbors. Talk about the theme. Ask them if there’s a life beyond the mundane day-to-day that they long to see. Then share about the Gospel of redemption, Jean Valjean’s second chance and the second chance Jesus offers each and every one of us. And offer to walk with them as they climb to the light.

Best Picture(s)

Tonight is the Academy Awards and we’re all anxious to see who comes out on top for Best Picture, Actor, Actress and Director. Because you know, we can’t face our day tomorrow without being told what movies and stars are the best. (/cynicism) I don’t really care too much. I don’t make it to too many movies in the theater, so I’m still watching last year’s nominees from my Netflix queue (just watched Julie and Julia Friday night, for example). So I can’t say I’m invested.

Instead a couple of days ago, the Arts and Faith online group released their list of Top 100 films. Moviefone has a great writeup reminding us that movies don’t have to be hyper-religious to be spiritual. The Bible Films blog notes that not too many are Bible-based and he hasn’t seen as many of the movies as past lists. Relevant has an article questioning why we watch movies? While, if you’re still interested in the Oscars, Hollywood Jesus lists the best Best Pictures. (Waiting to hear something on this list from Gareth Higgins, whose book How Movies Saved My Soul, offers a deeper look at movies we may take for granted.) Enjoy reading as you’re trudging through the boredom of best sound mixing tonight. (At least we have Steve Martin to look forward to)

Back to the list, I wholeheartedly agree with the choices of The Apostle and Magnolia. Personally I would add To End All Wars, Life As a House, and Tombstone (believe it or not, there are many lessons on character to be gleaned from that movie). And I admit, I have a domestic bias, but I do have on my “to see” list Jesus of Montreal and The Gospel of St Matthew and I may have to add some of these to my list as well.

As for tonight, it will be interesting to see how The Blind Side does as a not-really-but-really-Christian movie. Regardless, I agree with moviefone, that a movie doesn’t have to star Kirk Cameron or Stephen Baldwin to be edifying.

Best Picture(s)

Tonight is the Academy Awards and we’re all anxious to see who comes out on top for Best Picture, Actor, Actress and Director. Because you know, we can’t face our day tomorrow without being told what movies and stars are the best. (/cynicism) I don’t really care too much. I don’t make it to too many movies in the theater, so I’m still watching last year’s nominees from my Netflix queue (just watched Julie and Julia Friday night, for example). So I can’t say I’m invested.

Instead a couple of days ago, the Arts and Faith online group released their list of Top 100 films. Moviefone has a great writeup reminding us that movies don’t have to be hyper-religious to be spiritual. The Bible Films blog notes that not too many are Bible-based and he hasn’t seen as many of the movies as past lists. Relevant has an article questioning why we watch movies? While, if you’re still interested in the Oscars, Hollywood Jesus lists the best Best Pictures. (Waiting to hear something on this list from Gareth Higgins, whose book How Movies Saved My Soul, offers a deeper look at movies we may take for granted.) Enjoy reading as you’re trudging through the boredom of best sound mixing tonight. (At least we have Steve Martin to look forward to)

Back to the list, I wholeheartedly agree with the choices of The Apostle and Magnolia. Personally I would add To End All Wars, Life As a House, and Tombstone (believe it or not, there are many lessons on character to be gleaned from that movie). And I admit, I have a domestic bias, but I do have on my “to see” list Jesus of Montreal and The Gospel of St Matthew and I may have to add some of these to my list as well.

As for tonight, it will be interesting to see how The Blind Side does as a not-really-but-really-Christian movie. Regardless, I agree with moviefone, that a movie doesn’t have to star Kirk Cameron or Stephen Baldwin to be edifying.

Angels and Demons and Popcorn

The movie Legion, about an angel (Paul Bettany) fighting against God for the survival of humans, opened yesterday. Both my wife and I were captivated by a billboard advertising the movie and I had to look it up because I didn’t know anything about it. My thoughts on the preview? Meh, it looks like the Prophecy, but with roles reversed. Interesting theology though- God is fed up with humans and wants to wipe them out (despite “want[ing] all men to be saved” 1 Tim 2:4) but has to stand against the archangel Michael. The irony is that some Christian denominations believe the archangel Michael referenced in Revelation and Jude is really Jesus. Or rather, that Jesus is really the archangel Michael incarnate and Jesus does, in fact, save us from God’s wrath. Also, “Legion” is the name of the demon(s) Jesus cast out of a man into a herd of pigs (Mark 5:10, Luke 8:31).

Of course Legion isn’t the first movie of its kind, and the eternal struggle between good and evil is a common sci-fi/fantasy/horror theme as noted by a couple of recent online articles. Some movies and literature take more theological liberties than others, so we should be wary in seeking doctrinal relevance in our entertainment. In fact, oftentimes the only real spiritual linkage is a simple acknowledgement of God, Satan, and/or angels. These themes are familiar enough to appease any viewer, despite their theology, so I also wouldn’t attribute the glut of “religious” movies to any inroads the Christian consumer has made as a demographic. I don’t think the makers of Legion, or The Book of Eli, or The Road are banking on the same customers as The Passion of the Christ.

I recommend the Parallel Universe article because it references several movies categorized by spiritual themes. Some of these are classics (The Exorcist, The Omen) while others are less known (Race With the Devil, The Sentinel) and of course some are personal favorites (The Prophecy, The Seventh Sign). One glaring omission, in my humble opinion, is Denzel Washington’s Fallen. (That should keep your Netflix busy for a while)

As for comics, which aren’t as well known here’s my recommended reading list:
Deathblow (Image): A former special-ops soldier is hired by a clandestine religious order to protect a seal between Hell and Earth from being broken. The location for all you Bible scholars? The plains of Megiddo.

Hellshock (Image): About a fallen angel recruiting a young woman into his battle against evil. But is he who he says he is? (If the story doesn’t grab you, it’s worth checking out for some of the best artwork by Jae Lee ever seen)
Lucifer (DC/Vertigo): About you know who, who is tired of his role in the eternal struggle of good versus evil and leaves Hell in search of a “higher” calling.

Hellstorm (Marvel): A once campy character, was revitalized in a 1993 series written by Warren Ellis (among others). That series alone is worth checking out following a similar theme to Vertigo’s Lucifer, but in this case it is Satan’s son who is rebelling against his father.

Ghost Rider (Marvel): This character has a long history (and no, I have not seen the movie), but was recently retconned (meaning, his history was changed for the sake of story) to no longer being possessed by a demon, but by an angel. I haven’t yet checked out this storyline which started a year ago, but sounds intriguing as the Ghost Rider goes to fight against heaven, angry for being used for so long as a pawn.

Spawn (Image): A soldier dies and makes a deal with the devil to see his wife one last time. The deal? Be a soldier in Satan’s army (that for some reason fights clowns). I only followed this series for the first few years in the 90s, but it has remained popular enough that it’s still published, has had several spinoffs, and of course a visually stunning movie. (The cartoon ain’t bad either)

Of course there are others (I spent the last hour trying to find a comic that I could’ve sworn the movie Legion was based off of when I saw the font of the title in the billboard) so please share favorites. Include movies too! My Netflix queue is only 200 movies long, I could add a couple more!

Angels and Demons and Popcorn

The movie Legion, about an angel (Paul Bettany) fighting against God for the survival of humans, opened yesterday. Both my wife and I were captivated by a billboard advertising the movie and I had to look it up because I didn’t know anything about it. My thoughts on the preview? Meh, it looks like the Prophecy, but with roles reversed. Interesting theology though- God is fed up with humans and wants to wipe them out (despite “want[ing] all men to be saved” 1 Tim 2:4) but has to stand against the archangel Michael. The irony is that some Christian denominations believe the archangel Michael referenced in Revelation and Jude is really Jesus. Or rather, that Jesus is really the archangel Michael incarnate and Jesus does, in fact, save us from God’s wrath. Also, “Legion” is the name of the demon(s) Jesus cast out of a man into a herd of pigs (Mark 5:10, Luke 8:31).

Of course Legion isn’t the first movie of its kind, and the eternal struggle between good and evil is a common sci-fi/fantasy/horror theme as noted by a couple of recent online articles. Some movies and literature take more theological liberties than others, so we should be wary in seeking doctrinal relevance in our entertainment. In fact, oftentimes the only real spiritual linkage is a simple acknowledgement of God, Satan, and/or angels. These themes are familiar enough to appease any viewer, despite their theology, so I also wouldn’t attribute the glut of “religious” movies to any inroads the Christian consumer has made as a demographic. I don’t think the makers of Legion, or The Book of Eli, or The Road are banking on the same customers as The Passion of the Christ.

I recommend the Parallel Universe article because it references several movies categorized by spiritual themes. Some of these are classics (The Exorcist, The Omen) while others are less known (Race With the Devil, The Sentinel) and of course some are personal favorites (The Prophecy, The Seventh Sign). One glaring omission, in my humble opinion, is Denzel Washington’s Fallen. (That should keep your Netflix busy for a while)

As for comics, which aren’t as well known here’s my recommended reading list:
Deathblow (Image): A former special-ops soldier is hired by a clandestine religious order to protect a seal between Hell and Earth from being broken. The location for all you Bible scholars? The plains of Megiddo.

Hellshock (Image): About a fallen angel recruiting a young woman into his battle against evil. But is he who he says he is? (If the story doesn’t grab you, it’s worth checking out for some of the best artwork by Jae Lee ever seen)
Lucifer (DC/Vertigo): About you know who, who is tired of his role in the eternal struggle of good versus evil and leaves Hell in search of a “higher” calling.

Hellstorm (Marvel): A once campy character, was revitalized in a 1993 series written by Warren Ellis (among others). That series alone is worth checking out following a similar theme to Vertigo’s Lucifer, but in this case it is Satan’s son who is rebelling against his father.

Ghost Rider (Marvel): This character has a long history (and no, I have not seen the movie), but was recently retconned (meaning, his history was changed for the sake of story) to no longer being possessed by a demon, but by an angel. I haven’t yet checked out this storyline which started a year ago, but sounds intriguing as the Ghost Rider goes to fight against heaven, angry for being used for so long as a pawn.

Spawn (Image): A soldier dies and makes a deal with the devil to see his wife one last time. The deal? Be a soldier in Satan’s army (that for some reason fights clowns). I only followed this series for the first few years in the 90s, but it has remained popular enough that it’s still published, has had several spinoffs, and of course a visually stunning movie. (The cartoon ain’t bad either)

Of course there are others (I spent the last hour trying to find a comic that I could’ve sworn the movie Legion was based off of when I saw the font of the title in the billboard) so please share favorites. Include movies too! My Netflix queue is only 200 movies long, I could add a couple more!